Backlit digital photo printing is typically seen in a retail or commercial setting. Our Backlit film prints (also known as Lightbox or backlit) are available through ArtisanHD for the individual consumer. Create backlit photographic prints of your personal photographs and artwork for use in your home or office. It’s a brilliant way to decorate!
Backlit film prints have a digital resolution of up to 4,000 dpi (dots per inch) compared to other materials with a maximum of 2,880 dpi. The results are truer, more vibrant colors, and sharper details. It is considered the finest transparency material available.
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.*See some available Lightbox sizes and pricing below. We can assist you in sourcing the perfect frame to fit your needs and ship it to you along with your new backlit print.
I'll start off by saying I've tried searching and couldn't find info that helps with the same variables I have with my printing.
I have a Roland TrueVIS VF2-640. I use VersaWorks, print with "Roland DGA" profiles, and use "True Rich Color 2" Preset.
We do not do too many lightbox prints, so when they do come to us, I want to do them correctly for best results at daytime and nighttime viewing.
I've read up on the forums and it seems like two prints with one mirrored is the correct/best route to go.
We use a white polycarbonate for the inserts. We have a lightbox translucent white vinyl for lightbox printing and we have a clear vinyl for printing also.
My question is, do you still use the translucent white vinyl when you have a white polycarbonate insert? What profile should I use for the printing? The Roland DGA Matte Backlit Film profile defaults at a 2 overprint. I switched that to 1 and the black in the graphic came out cloudy. The graphic is a orange background with some cartoon flesh colors and red text. I've tried using profiles for Avery MPI 2050 for a print before and the colors were way off, that is why I am using Roland DGA profiles as they seem to work for all other printing also.